1971
10 Rillington Place
(1971)
Clive Exton (screenplay), Ludovic Kennedy (book)
Nominated for 1 BAFTA Film Award.
London, 1949. John Christie is an unassuming, middle-aged man who, along with his wife Ethel, lives in the ground-floor flat at 10 Rillington Place. His demeanor masks the fact of being a serial killer. His modus operandi is to act as a person with a medical background, lure unsuspecting women to his apartment on the pretense of curing them of some ailment, knock them unconscious with carbon monoxide gas, gain his sexual release through contact with the unconscious body, then strangle the victim dead before disposing of the body somewhere in the house or outside area. His next intended target is Beryl Evans, a young woman who has just moved into the top flat in the house. Beryl's husband, Tim Evans, is an illiterate man who likes to put on airs. Already with an infant daughter named Geraldine, the Evanses learn they are going to have another baby, which they cannot afford to have, nor can they afford to abort the pregnancy. This problem, on top of the constant issue of lack of money in all aspects of their lives, places a strain on the marriage, of which all their neighbors are aware through the constant fighting they overhear. Christie will offer to perform the abortion for free. The difference with this intended murder is that Tim will be aware that his wife will have died, but Christie plans either to goad Tim into keeping silent since the abortion would have been illegal, an act to which Tim would have provided his consent, or pin the murder on Tim who would have motive. Will this change in modus operandi affect Christie's ability to kill Beryl, or kill her without detection?
A Clockwork Orange
(1971)
Stanley Kubrick (screenplay), Anthony Burgess (novel)
Nominated for 4 Oscars. Another 12 wins & 20 nominations.
Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating.
A Fistful Of Dynamite
(1971)
Sergio Leone (story), Sergio Donati (story), Luciano Vincenzoni (screenplay), Sergio Donati (screenplay), Sergio Leone (screenplay), Roberto De Leonardis (dialogue adaptation), Carlo Tritto (dialogue adaptation)
1 win.
An I.R.A. explosives expert on the run in Mexico meets an amoral Mexican bandit; together they are drawn into the Mexican revolution.
Dirty Harry
(1971)
Harry Julian Fink (screenplay), Rita M. Fink (screenplay), Dean Riesner (screenplay), Harry Julian Fink (story), Rita M. Fink (story)
1 win & 1 nomination.
When a mad man calling himself 'the Scorpio Killer' menaces the city, tough as nails San Francisco Police Inspector Harry Callahan is assigned to track down and ferret out the crazed psychopath.
Get Carter
(1971)
Mike Hodges (screenplay), Ted Lewis (novel)
N/A
A vicious London gangster, Jack Carter, travels to Newcastle for his brother's funeral. He begins to suspect that his brother's death was not an accident and sets out to follow a complex trail of lies, deceit, cover-ups and backhanders through Newcastle's underworld, leading, he hopes, to the man who ordered his brother killed. Because of his ruthlessness Carter exhibits all the unstopability of the android in Terminator, or Walker in Point Blank, and he and the other characters in the film are prone to sudden, brutal acts of violence.
Harold and Maude
(1971)
Colin Higgins
Nominated for 2 Golden Globes. Another 2 wins & 1 nomination.
Young, rich, and obsessed with death, Harold finds himself changed forever when he meets lively septuagenarian Maude at a funeral.
Straw Dogs
(1971)
David Zelag Goodman (screenplay), Sam Peckinpah (screenplay), Gordon Williams (novel)
Nominated for 1 Oscar. Another 1 win.
Upon moving to Britain to get away from American violence, astrophysicist David Sumner and his wife Amy are bullied and taken advantage of by the locals hired to do construction. When David finally takes a stand it escalates quickly into a bloody battle as the locals assault his house.
The Devils
(1971)
Ken Russell (screenplay), John Whiting (based on the play by), Aldous Huxley (novel)
4 wins.
In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
The French Connection
(1971)
Ernest Tidyman (screenplay), Robin Moore (based on the book by)
Won 5 Oscars. Another 17 wins & 10 nominations.
William Friedkin's gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between 'Popeye' Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed.
The Omega Man
(1971)
John William Corrington (screenplay), Joyce Hooper Corrington (screenplay), Richard Matheson (novel)
1 nomination.
Due to an experimental vaccine, Dr. Robert Neville is the only survivor of an apocalyptic war waged with biological weapons. The plague caused by the war has killed everyone else except for a few hundred deformed, nocturnal people calling themselves "The Family". The plague has caused them to become sensitive to light, as well as homicidally psychotic. They believe science and technology to be the cause of the war and their punishment, and Neville, as the last symbol of science, the old world, and a "user of the wheel", must die. Neville, using electricity, machinery, and science attempts to hold them at bay.
THX 1138
(1971)
George Lucas, Walter Murch
2 wins & 3 nominations
It's sometime in the future in a state controlled society, where conformity and homogeneity are the rule. What is also the rule is that the populace follows the wants of the faceless state without question. How this is achieved is through a mandatory drug regimen, which also suppresses human desire, with sexual intercourse and human relationships banned. The law of the state is policed by a force of robocops. The physical environment is totally within a manufactured enclosure, what being outside of this unknown. THX 1138 is a loyal subject, he who goes about his business as a skilled factory working building robocops. And even when he begins to have strange feelings, he does what is obliged by going to the state run confessional, which further brainwashes through its reinforced mantra of happiness, loyalty and understanding. THX 1138 is given a glimpse into the other side through his computer matched and thus appointed female roommate, LUH 3417, and her surveillance colleague SEN 5241, LUH 3417's vision which may be something that THX 1138 may want to continue despite its illegality. If THX 1138 is able to keep his activities from the authorities and the robocops, he will have to figure out what options are available to him.
Two-Lane Blacktop
(1971)
Rudy Wurlitzer (screenplay), Will Corry (screenplay), Will Corry (story)
1 win & 2 nominations.
The Driver and The Mechanic are two car freaks driving a 1955 Chevy throughout the southwestern U.S. looking for other cars to race. They are totally dedicated to The Car and converse with each other only when necessary. At a gas station, The Driver and The Mechanic, along with a girl who has ingratiated herself into their world, meet G.T.O., a middle-aged man who fabricates stories about his exploits. It is decided to have a race to Washington, D.C., where the winner will get the loser's car. Along the way, the race and the highway metaphorically depict the lives of these contestants as they struggle to their destination.